This should be the place. Re-mapping traumascape in the post-traumatic contemporary documentaries
Abstract
The concept of trauma, in its historical or personal declination, has now assumed a central role in contemporary documentary cinema, which is not simply aimed at the mere representation of the event but it becomes an epistemological tool in order to orient memory and re-elaboration processes. Post-traumatic documentary cinema reflects on the relationship between historical trauma and the forms for representing it. The present contribution aims to explore a key aspect concerning re-enacting trauma in contemporary documentary cinema, namely the relationship between space, event and memory. Specifically, I will examine Nostalgia de la luz (Nostalgia for the Light, Guzmán 2010), Dubina dva (Depth Two, Glavonic 2016) and Le dernier des injustes (The Last of the Unjust, Lanzmann 2013), films that reconfigure the landscape, rediscovering the traumatic traces, even if they are invisible apparently, in spaces haunted by the ghosts of the past.
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