Behind the Scenes of the Daily Life. The Servants’ Gaze from Proust to Cuarón
Abstract
Placed at the margins of family life, servants are the accurate witnesses of its dynamics, meticulous set designers of its environments, proud guardians of its secrets, and solemn ministers of its rituals. Therefore, they offer a privileged gaze, from inside and from below, through which to observe and to narrate the rhythms and spaces of everyday life. Focusing on their role, in the context of a broader investigation of the representations of the everyday life, means trying to immerse oneself in domestic interiors and assume the point of view, quite peculiar, of those who live there, or better of those who set them for the life of others. Starting from these premises, the article aims to analyse the figure of the servants, in an intermedial perspective, retracing some of its significant twentieth-century and contemporary incarnations: from Proust’s Françoise to Cuarón’s Cleo, passing through Virginia Woolf's faithful Crosby, the uncanny figures of Anna Édes (Kosztolányi), Emerenc (Szabó) and Marta (Kupermann), up to the multi-faceted and layered staff of Downton Abbey.
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