Siti Through Pasolini: Travels in Fiction and Non-Fiction
Abstract
This article examines the relationship between works by two authors who are explicitly bound by similarities in the themes they tackle and the form they use: Pier Paolo Pasolini’s L’odore dell’India [The Scent of India] (1962) and Walter Siti’s Il canto del diavolo (2009). Pasolini’s journey is to a place perceived as both ancient and mysterious, miserable yet splendid, while Siti – who visited the United Arab Emirates in 2009 – finds himself in a country characterised by kitsch and contemporary hypercapitalism. Siti’s approach differs from Pasolini’s in that he deliberately merges the genres of autofiction and travel writing. The article will show how his writing about the Emirates aims to question the validity of the boundaries between fiction and non-fiction, as part of a specific strategy for the depiction of reality.
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